in Arts blog
We spend a lot of time in the arts talking about “thinking outside the box.” It’s what we do, and it’s our catchphrase, more so than in any other profession.
When businessmen and politicians talk about this type of thinking, we tend to scoff at them – after all, we are the real creative thinkers, right?
But sometimes we create a box within a box in our own thinking. And while we gladly and proudly venture outside of our inner box, finding new ways to present our own artistic work, we sometimes get trapped inside that outer box. It’s time to do more “outside the box surrounding the box” thinking.
What does that mean? Well, look at it this way – while we tend to be innovative within our own discipline, sometimes we hesitate to venture beyond our comfort zone.
I’m talking about collaboration – specifically, collaboration with other art forms. It’s a little frightening to consider at first. I remember a very tense lunch over the summer with a director who wanted to be in control of every element of a production that I was involved in – so much so that there was a flow chart produced at the table that show the director as the “CEO” of the show. The give and take of control over a production, be it musical theater, ballet, opera, or a collaborative exhibition, is a frightening concept.
When we’ve worked so hard on our end of the deal, it’s difficult to let go even a little and relinquish just a small amount of artistic control to another. But this is the beauty of collaboration. As artists, we know that there is no black and white – just fields of grey.